Toy story 3 incinerator reaction
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In the end, as is the result of all capitalist endeavors, they end up surrounded by the garbage of overconsumption and slated for destruction. He might as well be a conservative doomsayer arguing that climate change is inevitable, or that poor people are fated to be worked to death. “We’re all just toys waiting to be thrown away!” Lotso says.
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The greedy nihilism of oligarchs is their greatest asset and most egregious sin. As Ken notes in the film, Lotso ruined the daycare and “put himself at the top of the pyramid”.
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His authoritarian rule and naked exploitation are buttressed by his powerful aristocracy. The new toys are all exploited, often worked until death or destruction. However, he later turns out to be a two-faced liar. Lotso is the preeminent capitalist shithead. “This isn’t a family, it’s a prison!” Jessie screeches. The wrenching inequality and despicable unfairness of unchecked oligarchic capitalism haunts us all. The realization that system is rigged to benefit a select few at the expense of all the rest comes for all socialists. Peter Kropotkin learned the truth while working among the peasants of Siberia. If the toys “work their way up”, they can join the ranks of the “keepers”.įriedrich Engels experienced this epiphany while living among the poor factory workers of England in the Industrial Revolution. He explains the conceit of the Daycare, where an elite aristocracy of “keeper” toys get to be played with in luxury, while the rest of the toys are thrown to the infants and worn to pieces. Potato Head, and other characters realize that Sunnyside Daycare is a nightmarish, capitalist hellhole. This occurs in the middle third of the film, when Jessie, Rex, Mr. Instead, they are brought by a garbage truck to a landfill, where they are dragged towards an incinerator.Like all great stories of Marxist awakening, Toy Story 3 features an epiphany where the protagonists understand the rot of the system. And the endless rotation of children ensures the toys will never become obsolete.īut Sunnyside is not the resort the toys first imagine rather, it's a prison, where the toys are bullies presided over by the despotic Lotso, and the children are rapacious, slobbering, unfeeling monsters.Īn escape sequence follows, in which Woody and the toys give Steve McQueen a run for his money The Toy Story films are deeply nostalgic about the history of American cinema, with old westerns and science-fiction embodied by Woody and Buzz Lightyear (Allen) respectively.īut while the toys manage to leave Sunnyside, they are not free of trouble. Here there are new toys, led by a seemingly loveable bear named Lots-o-Love (Beatty). Will they end up above, in the attic, or below, in the garbage?īy happy accident, all of the toys, including Woody, end up in the purgatory of a children's day care centre, called Sunnyside.
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But that leaves the other toys in a predicament. Woody is lucky Andy is still sentimental about his favourite toy and wants to take him along. The toys, led by Woody the sheriff (Hanks), come to terms with the fact that their owner, Andy (Morris), has grown up and, at 17, is about to head off to college. Toy Story 3 may be the most 'grown-up' film in the trilogy. Even when compared to the knowing satire and social commentary of The Simpsons, Toy Story surprises with its depth of feeling and its mature exploration of such themes as life and death, love and rejection, friendship and loneliness. The Toy Story films have always catered to adults in a way most animated features do not. I got the feeling, as the film played, that this was its intended audience: people who had grown up with the Toy Story franchise, and yet had never quite grown up. There was just one infant, who, asleep in her mum's arms, was unaware of the screen in front of her. When I went to see Toy Story 3 the audience consisted almost entirely of adults in their 20s and 30s. Starring: Tom Hanks, Tim Allen, Joan Cusack, Ned Beatty, Don Rickles, Michael Keaton, John Morris, Jodi Benson, Timothy Dalton.